Today is the last day of this year. I have no
idea whether I am going to pick up my camera and snap a shot or two. But
whatever I choose to do, I am going to be content.
The one thing I learned about making a choice in art is this: - in most cases - there aren’t such things as good choice/bad choice. It all reduces to what makes one happy. Go with what you feel that is right for you. For instance: colour or black and white? It is all a matter of taste. And of considering the finality of your artwork.
The one thing I learned about making a choice in art is this: - in most cases - there aren’t such things as good choice/bad choice. It all reduces to what makes one happy. Go with what you feel that is right for you. For instance: colour or black and white? It is all a matter of taste. And of considering the finality of your artwork.
If you are a close friend & family, or if
you are following my work, you probably know that I have started a big project,
getting people to talk about following their own dream, about ideals,
aspirations and what keeps them motivated when the going gets tough. (You can find about it here: A Hat of Many Dreams)
In my case, I want to use minimal props and interventions
because my project is meant to be a social experiment: an honest incursion into
people’s souls, witnessing their own dialogue with themselves. I just guide
them from the sides, with a couple of questions.
I chose to devoid my setting of any colour,
because I want to “see” my sitters through their emotions. Therefore it is
going to be black and white all the way. Again, if you know me well, you’d know
that I am fascinated with people and their ways of life. I find surprising and
strong characters from all walks of life on daily basis, just by chatting to
people. Which is a wonder in itself, because deep down I am quite the
introvert.
But I have to admit, in certain cases, my
sitters are beyond fascinating and I find myself facing the dilemma, whether I
want to preserve the colour, maybe change the brief of my project and allow
those bright colours to take over and shine. The answer is no. Much as I’d like
it, I think it is important to keep my brief consistent. I have already made one
concession from the initial brief, allowing myself to a wider range of portrait
sizes, erring from my initial close-up portrait set up.
Luckily, digital photography makes it easier
for me to have my cake and eat it. Recently, I have had the privilege and
honour to photograph and meet in real life a lady whom I have admired from the
sides for quite a while. She proved to be more interesting than I could have
ever dreamed of. We got to know each other a little. We found lots of things in
common. We had a giggle or two. We shared a spectacular sunset over my beloved
grasslands.
She is unique, intelligent and fun. She has a
great sense of humour,
magnificent eyes and a custom-made
shade of red hair.
Seeing how the 3 primary colours worked so
remarkably well in defining her portrait, how could I not take these gorgeous
shots? And incidentally, doing this series of portraits gave me the best of both worlds - I got to work in one of my favourite places in the world and we literally were photo bombed by the kangaroos, who are so used to see me with my camera that they started to run towards us and lined up behind Tara.
(You can also see the black and white series by clicking here)
Until a year ago, I wasn’t much of a portrait
photographer; not in a true form anyway; as I was too busy chasing the
kangaroos and the light around the grasslands. But one time, in a discussion
forum over a National Geographic Assignment, Marie McGrory, one of the
National Geographic photo editors gave me one of the best advice ever when she challenged me to take more portraits. Sure, I
always liked people and their stories but what if I started to go more in-depth
and do more portraits? So this year I have challenged myself and I have worked
really hard to find out just how good I could be at unearthing their stories through
my images. I had some failures but I think I had quite a few great experiences
too. The most rewarding thing about pushing my boundaries and doing portraits is forging new friendships, learning new things and finding extraordinary stories in the most ordinary places.

























































